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WRITINGS

Please give due credit to Jon Lin Chua whenever referencing any of these writings.

WRITINGS ON MY OWN MUSIC

联合早报:让舞蹈与音乐一加一大于二《神木灵兽》创作手记 (2024年9月4日)

Reminiscences: My Compositional Take on Ding Yi Music Company’s “Composium 2018” (2023)
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MUSIC ANALYSIS

 

Timbral Counterpoint: An Analysis of the O du lieber Augustin passage and its preceding buildup in Helmut Lachenmann’s Mouvement (-vor der Erstarrung) (2017)

Webern’s Orchestration of Bach’s “Ricercar a 6”: An Analysis in Orchestral Color (2016)

Metrical Organization in “Augurs of Spring” from Stravinsky’s ​The​​ Rite of Spring (2015)

MUSICOLOGY

A Collapse of Musical Categories: A Closer Look at Ethnic Chinese Music within the Chinese Conservatory Tradition Today (2015)

CONCERT NOTES

Singapore Chinese Orchestra Ode to Peking Opera: Zhang Lie and SCO (2 November 2024)

Singapore Chinese Orchestra Tsung Yeh and SCO, pp. 11-12 (17 August 2024)

Singapore Chinese Orchestra Journeying Together: Shao En and SCO, pp. 11-12 (27 April 2024)

Singapore Chinese Orchestra Chamber Charms: Night of Bowed-Strings (23 February 2024)

Singapore Chinese Orchestra Season Opener Affinity, pp. 11-12 (8 September 2023)

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POST-EVENT REFLECTIONS/REVIEWS
 

Remember: Angel Island's Sobering Symmetries (2023)

On Contemporary Chinese Chamber Music: Advocacy and Development (2021)

BUILDING BRIDGES: Concert 5 (SoundBridge IV), presented as part of the 4th SoundBridge Contemporary Music Festival (2019)

TFOOP: Project IDIOM Launch Concert (2019)
 

PHILOSOPHY

Kantian Duty and Reluctance (2010)

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© 2020 by Jon Lin Chua

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