Please give due credit to Jon Lin Chua whenever referencing any of these writings.

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WRITINGS ON MY OWN MUSIC​​​

联合早报：让舞蹈与音乐一加一大于二《神木灵兽》创作手记 (2024年9月4日)

Reminiscences: My Compositional Take on Ding Yi Music Company’s “Composium 2018” (2023)​​

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MUSIC ANALYSIS​

 

Timbral Counterpoint: An Analysis of the O du lieber Augustin passage and its preceding buildup in Helmut Lachenmann’s Mouvement (-vor der Erstarrung) (2017)

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Webern’s Orchestration of Bach’s “Ricercar a 6”: An Analysis in Orchestral Color (2016)

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Metrical Organization in “Augurs of Spring” from Stravinsky’s ​The​​ Rite of Spring (2015)

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MUSICOLOGY

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A Collapse of Musical Categories: A Closer Look at Ethnic Chinese Music within the Chinese Conservatory Tradition Today (2015)

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CONCERT NOTES​

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Singapore Chinese Orchestra Ode to Peking Opera: Zhang Lie and SCO (2 November 2024)

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Singapore Chinese Orchestra Tsung Yeh and SCO, pp. 11-12 (17 August 2024)

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Singapore Chinese Orchestra Journeying Together: Shao En and SCO, pp. 11-12 (27 April 2024)

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Singapore Chinese Orchestra Chamber Charms: Night of Bowed-Strings (23 February 2024)

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Singapore Chinese Orchestra Season Opener Affinity, pp. 11-12 (8 September 2023)

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​​​​POST-EVENT REFLECTIONS/REVIEWS
 

Remember: Angel Island's Sobering Symmetries (2023)

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On Contemporary Chinese Chamber Music: Advocacy and Development (2021)

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BUILDING BRIDGES: Concert 5 (SoundBridge IV), presented as part of the 4th SoundBridge Contemporary Music Festival (2019)

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TFOOP: Project IDIOM Launch Concert (2019)
 

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​PHILOSOPHY

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Kantian Duty and Reluctance (2010)